The Girl on the Train surprised me. Without any prior knowledge, save for a few poorly edited trailers, I expected to sit through a mediocre thriller and what I actually got was a deeply tragic character-driven story. The Girl on the Train is full of broken people, each with their own damaged past and mistakes and problems and emotions, and it knows how to show you. It does sometimes push too hard, putting too much effort into making you feel a certain way or showing you unnecessary backstory that, while heavily emotional and beautifully shot, doesn’t add much except more emotional weight to a story that weighed a ton already.
The main cast in this film deliver good performances for the most part, and Emily Blunt is fantastic in the role of Rachel, the titular girl on the train. A truly broken person, wallowing in her own self-destruction and sorrow, Emily Blunt makes Rachel pitiful a times, despicable at others and there are moments when I genuinely felt uncomfortable watching her. The focus on developing Rachel’s character, however, leaves very little time for the rest of the cast and some of the other characters have a tendency to be a bit two-dimensional.
The Girl on the Train leaps about with its story, jumping back and forth through time and between characters, for the most part fluidly. You rarely feel lost but the pacing does get a little chaotic from time to time even though this is likely done to mirror the rickety state of Rachel’s mind as she stumbles toward a conclusion about what’s really going on. And that is the crux of this film, as it is a film with a twist and, while it does make clear efforts to lead you toward a conclusion alongside Rachel in the second half of the film, you may find yourself putting the pieces together well before the finale. I was left feeling as though it could have gotten there a little smoother, and without some of the unnecessary melodrama and poetic moments, but it does get there in the end.
I enjoyed The Girl on the Train and, while it has a strong tendency to get caught up in itself, becoming pretentious or distracted with unnecessary flashbacks and plot development, it does a good job of showing how bleak and tragic life can be, and I walked out of the cinema emotionally affected.
Tom Cruise is in his element in Jack Reacher: Never Go Back. A well-paced action film that knows exactly what it is, Never Go Back is thoroughly enjoyable but doesn’t quite live up to the relentless forward momentum of the previous film. Based on a long running book series known for being formulaic, this film surprised me by not just resting on the laurels of the first. While it doesn’t do anything spectacular or new, it manages to switch things up enough to keep fans of the first film more than interested, and ticks all the right boxes for any lover of the action genre.
This is not a character-driven film, but the acting is solid throughout and there is enough plot and character development to keep you more or less invested in the lead characters and their relationships, though a bland villain does little to help this along. One of the main villains barely makes an appearance throughout and the other could be a cardboard cutout with a gun for all it would help, he doesn’t even have a name!
Tom Cruise maintains his characteristic intensity but the stoicism of the character allows for little else. If anything, he is less intense and less brutal than in the previous instalment, which is somewhat of a disappointment but may be down the addition of new protagonists for this outing. Cobie Smulders (of Avengers fame) and Danika Yarosh (who you may know from Heroes: Reborn) join Tom Cruise in a departure from the lone wolf aspect of the first film. This works fairly well, with some easy exposition and nice character development moments helping to flesh out the film somewhat, but unfortunately seems to cause the film to lose the unrelenting brutality that made me love the original, as it pushes too hard to emotionally affect the audience at times.
Director Edward Zwick is possibly the biggest letdown of the film. For someone whose previous work includes Blood Diamond and The Last Samurai, a generic action flick is the least of what we should be expecting. This is far from a bad film, it’s a solid action film that many people will enjoy but, with a strong cast and a director capable of beautiful action sequences blended with real character-driven stories, Jack Reacher: Never Go Back ultimately falls short of what I was hoping for.