The Girl on the Train surprised me. Without any prior knowledge, save for a few poorly edited trailers, I expected to sit through a mediocre thriller and what I actually got was a deeply tragic character-driven story. The Girl on the Train is full of broken people, each with their own damaged past and mistakes and problems and emotions, and it knows how to show you. It does sometimes push too hard, putting too much effort into making you feel a certain way or showing you unnecessary backstory that, while heavily emotional and beautifully shot, doesn’t add much except more emotional weight to a story that weighed a ton already.
The main cast in this film deliver good performances for the most part, and Emily Blunt is fantastic in the role of Rachel, the titular girl on the train. A truly broken person, wallowing in her own self-destruction and sorrow, Emily Blunt makes Rachel pitiful a times, despicable at others and there are moments when I genuinely felt uncomfortable watching her. The focus on developing Rachel’s character, however, leaves very little time for the rest of the cast and some of the other characters have a tendency to be a bit two-dimensional.
The Girl on the Train leaps about with its story, jumping back and forth through time and between characters, for the most part fluidly. You rarely feel lost but the pacing does get a little chaotic from time to time even though this is likely done to mirror the rickety state of Rachel’s mind as she stumbles toward a conclusion about what’s really going on. And that is the crux of this film, as it is a film with a twist and, while it does make clear efforts to lead you toward a conclusion alongside Rachel in the second half of the film, you may find yourself putting the pieces together well before the finale. I was left feeling as though it could have gotten there a little smoother, and without some of the unnecessary melodrama and poetic moments, but it does get there in the end.
I enjoyed The Girl on the Train and, while it has a strong tendency to get caught up in itself, becoming pretentious or distracted with unnecessary flashbacks and plot development, it does a good job of showing how bleak and tragic life can be, and I walked out of the cinema emotionally affected.